The Art Glass Produced by Tiffany Studios - An Overview

Comfot Tiffany Louis early in his career was very interested in the production of iridescent color, innovative art glass. In the literature of Tiffany, he notes that research in the development of these techniques, glass production started 1872 in New York. Tiffany had required the assistance of the Italian-educated Venetian glass manufacturer, which he rented. In 1878 the company was Tiffany, Louis C. Tiffany & Co., which specializes in the creation of interior preparation for a very wealthy clients residential and commercial facilities. One element that Tiffany in these projects were the use of iris print glass tiles. They were surrounding a fireplace, in the decorative screens and wall decorations. The tiles were shaped in different sizes and with different decorations. The colors of the tiles, and the translucent opalescent green, blue and gold, iridescent, and solid colors like black, red and oranges with stunning swirls of color. Then Tiffany produces additional glass tiles for use in lights and decorative objects. Some of these stones which scarobs, turtle back tile, iridescent glass prisms, and linenfold glass (to resemble folded linen).

Between approximately 1892 and 1924 in blown glass vases and bowls by Tiffany Furnaces, Corona in Queens. People often talk about three times the glass production. The earliest period, approximately 1892 to 1900 was the time where most experiments were both in the form (shape), color, and the application and effect in the glass. The mean time was the time when the largest part of the art glass was produced. The end of the period between 1916 and included at the end of the company in the late twenties was a time when more commercial and less innovative pieces were produced. Many of the pieces in the period were in pastel colors.

Louis Comfort Tiffany was the artistic force and designers for all of glass. It was noted that Tiffany would be very rough sketches for a piece and his artisans would be familiar with the concept for a complex and detailed presentation of the piece, which eventually required Tiffany's approval before the production was.

1894 Tiffany registered his "Favrile glass" for the trademark and patent purposes. He coined the term actually not a color or a type of glass, but many different colors and textures of glass, which he in the manufacture of its various products, including windows, lamps and decorative objects.

Most of the early blown glass vases were not signed. A paper label was approved by the assessment of production Tiffany glass and decorating company. In the earliest days of production many pieces were numbered in the order of between 1 and 9999 In about 1894 numbered pieces began with a letter prefix, followed by a number. This uses letters between A and Y (no Z). For example, in 1894 the prefix A and B were,! 895 prefix C and D. .. until around 1905 with the prefix W and Y. In this early period, some 2 letters have been used per year. Following this a number followed by a suffix has been used (about one letter per year from 11906 to 1928). Some special terms, including the use of X for experimental, EX for exhibition, o (small) for ordering, A-COLL piece of Tiffany's personal collection.

Some of the types of glass, were manufactured Decorated Glass, Agate, Cyprus, lava, paperweights, glass and aquamarine.

Decorated Glass was in the entire time. The decoration may vary depending on several small lines on a solid background to complex "King Tut" decoration, where almost all of the surface of the piece was swirled with random lines. Some special types of decoration are peacock feathers with eyes, zipper decoration, flower arrangements with various types of stylized leaves and flowers.

Cypriote glass, probably by the appearance of old glass had been exposed after they are buried for hundreds of years, and had on a rough surface irridized. The surface irregularities are often similar to craters on the surface of the moon.

lava-glass, a dark bluish-black background with applied three dimensional designs in gold, which simulates the flow of lava .. These are very rare and valuable

Agate glass, which resemble banded agate with many colors and shapes layered. Often, these vases facets that are even more unusual effects with color.

glass paperweight, which is essentially transparent glass with colored flowers or geometric patterns have been created internally to the appearance that the design element was under water or floating in the glass, the paperweight as we use on our tables

Aquamarine glass similar to the glass paperweight with internal decorations are often the subject of the waters like fish, which seem to be swimming in the glass.

Cameo Glass, which is a technique where, if the glass was a color shift was on another. In the processing of design was created by placing in the top color to the color often with reduction of floral techniques.

in the collection of Tiffany glass size and color play a role. The most common color is gold, followed by shimmering blue and green. Rare colors are red, yellow, orange and black. Rare colors, decoration and size is definitely more complex effects on the value.

 

http://www.docpaysthemost.com
dr. robert lerch

Article Source: http://EzineArticles.com/?expert=Robert_Lerch